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China Stamps - 1988, T126 , Scott 2149-52 Dunhuang Murals (2nd Series) - Full Sheet of 20 sets - MNH-VF Post Office Fresh - (9214F)

$34.95
SKU:
9214F
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2
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Product Description

China Stamps - 1988,T126 , Scott 2149-52 Dunhuang Murals (2nd Series) - Full Sheet of 20 sets - MNH-VF Post Office Fresh (Free Shipping by Great Wall Bookstore) : Stamps background information: Dunhuang grottoes art is a solid art combining architecture, sculpture, and mural. Although Dunhuang murals only play a role of decoration, and a supplementary role to the sculptures in the Grottoes, but they feature the greatest number, the largest scale, the finest art skills and the richest content, providing very valuable information and material for research on ancient Chinese politics, economy, culture, military, geography, communication, social life, national relationship, religious history, art history, and exchanges with foreign countries and history of cultural exchanges. It is indeed a classic art heritage of great value.IAccording research findings, Dunhuang murals can be divided into the following classes:Buddha Figures: They refer to all kinds of gods and spirits, such as Buddha, Bodhisattva, and Buddha Guards, etc. worshiped by Buddhists. Most of them are painted in the pictures of Teaching Doctrine. Jingbian Painting: They refer to an art form that employs paintings and literature to make abstract Buddha sutra easy to understand. A drawing that explains abstract sutra is called Bianxiang, and the method of explaining sutra with words and singing is called Bianwen.Legendary Mural: Its subject maters are traditional Chinese legends, which refer to the contents or subjects of Taoist thought appearing in the Northern Wei Dynasty (386-534). Occurrence of Taoist thoughts in Buddha grottoes reflects the combination of the Buddhist meditative absorption and Taoist Xujing (quiet and calm). It is also the influence of Buddhist thought and art on Chinese culture.Almsgivers' Figures: Almsgivers refer to those who believe in Buddhism and finance the building of grottoes. To show their sincere belief in Buddhism and leave fame in the future, they painted themselves, their family members and servants inside the grottoes when building the grottoes.

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